By Mark E. Smith
I recently spoke on a senate panel on aging. The panelists were heavy-hitters, including a U.S. senator and heads of government agencies. As speakers go, they were the best-of-the-best, both in presentation and knowledge. Then, there was me.
As a speaker, I prefer keynotes, not because I wish to be the star attraction, but because there’s a different dynamic on panels, especially when the other panelists are beyond great. It’s like sitting back stage as a musician and the band before you is phenomenal, and you’re thinking, Man, I can’t live up to what Iggy Pop just did!
What made the recent panel even more challenging was that I went last, so there I sat trembling in my boots – not emotionally, but literally, as I have uncontrollable body movements due to cerebral palsy – as I watched eloquent, brilliant speakers along our table command the room. So, how’d I move through it?
The same way that I always do. Public speaking can be tricky. Yet, if you know your subject, know your audience, and you’re skilled with rhetorical devices, public speaking is a bit of an illusion – it looks tougher than it is. For me, however, there’s a wild card added to the mix: cerebral palsy. My brain sends involuntary signals to my muscles and they do whatever they want, whenever they want. My central nervous system doesn’t care if I’m in bed watching TV or speaking in front of 250 statesmen. If it tells my legs to kick, they simply kick – formally known as a “spasm.” Speaking as a craft is easy for me; doing it with the physical unpredictability of cerebral palsy can be the harrowing part.
Given my situation, I view speaking in front of audiences like driving a race car. Driving a car at 150 mph around a race track takes skill, but even more so when the unexpected occurs. Race car drivers win races not based on simply going around a track, but in addressing peril when encountered. Did you see him keep his car from spinning off of the track!
When I’m publicly speaking, it’s the same phenomenon. I have my emotional and mental composure, but I never know what my body will throw my way. The ability to address spasms and uncontrolled body movements without missing a beat while speaking is my real craft. The way I do it is I let go of the mental and emotional constraints others often feel in such situations. When I sat on the senate panel, there was no way I could be as physically composed as the other speakers, so I threw that standard out the window and focused on being the only person I could be: me. I have cerebral palsy and a microphone – hold on to your seats, folks! In these ways, cerebral palsy becomes an asset of originality.
It doesn’t matter if we’re public speaking or living our everyday lives, the minute we let go of social pressures or preconceived notions of who we should be and just be ourselves, as-is, there’s no freer realm to be in. I understand that this is difficult for many. We live in a culture that presents ideals on how we should be. Yet, for many of us, it’s impossible for us to meet those ideals – there’s no product to resolve cerebral palsy – and in the larger scope, nor should anyone feel he or she has to live to such scripted ideals.
See, I view the world as the most spectacular art gallery. Each of our beauty isn’t blended on a single cultural canvas, in a single form, but seen within the borders of our unique frames. Photoshopped images are great; an original Picasso is amazing.